The “Lucky” Ones – An interview with businesswoman & empowerment guru Tara Swiger

November 1, 2012 by Cassie

Anyone who’s ever dreamed of leaving their day job, starting a business, and working from home is going to LOVE today’s interviewee. I met Tara Swiger via the glory of the Internet, and she’s here today to tell us about how she did all of the above.

After you read Tara’s awesome Q&A, please make sure you vote for Witty Title Here in the Mobbies! (Didya already vote? Thanks – you can vote again!)

Now, onto the good stuff!

Tara Swiger is the kind of gal whose brain you’d want to pick. A French major turned yarn-maker, the pink-haired professional knows a thing or two about working on your own terms—and successfully. After a series of unsatisfying office jobs, Tara took matters into her own hands, left her job, and went full-time with her business. Curious as to how she made it happen, countless aspiring and struggling entrepreneurs came to Tara for guidance. That’s when she organized the Starship—a yearlong series of classes, goal-setting, and map-making to help members’ crafty businesses take flight. It was such a hit that it led to her first book.
 
Though she spends most of her days talking with and encouraging creative businesspeople, Tara doesn’t work the grind. That means weekends are totally off, along with a weekday here and there. This enviable schedule keeps her energized, and it gives Tara enough time to read 100 books in one year, bake cupcakes once a week, and explore the flavors of veganism.

Read on for some thoughtful insight from Tara!

More and more, it seems women in the blogging world are becoming successful businesspeople by selling their craft or art online. What do you think of this growing trend?

I actually think this trend is the other way around: women have always been making money by selling their art and craft (long before the internet!), but now they’re adapting in the blogging world. There have been people blogging about their craftyness since the very beginnings of blogs (there were already tons of large ones when I found knitting in 2004). But as blogs change, and the way we consume information changes, we have to change the way we approach our blog, especially if you want it to be an effective business tool. As my friend Diane says, blogging started as a personal medium but when you use it as a business tool, you have to think a little differently.

In working with creative businesses, I see a lot of the two extremes: blogs so about-the-person that you don’t have any idea what they sell (or their subject matter isn’t related to what they sell, so they aren’t attracting people who would be buyers), or blogs-so-businessy that it’s a constant pitch-fest. The balance is in finding what you need people to know about your product (in order to make it easy for them to buy) and in what they actually want to read about.

Of course, there are a zillion ways to blog and to have a business, and to mix the two together, and finding the perfect blend for you takes lots of experimenting. (I could go on… I wrote a whole workbook about finding this balance!)

What are some of the success stories you’ve had as a direct result of someone reading your book or becoming part of the Starship? How does it feel knowing you helped fuel that success?

Ooh, I’ve just started collecting these and they make me so so happy. The newest one is Ana, a yarn-maker and knitter who joined the Starship three months ago and has already reached her income goal. When she joined she said the goal felt completely vague and distant, but we helped her make a map and then she stayed accountable in the weekly chats…and in September she was there, at that big, unreachable goal! Now she’s so busy with orders we’re working on scaling up, and making sure she can keep in touch with the holiday orders when the season slows down in January and February.

I can’t even express how thrilled I am to watch other people define their own success and reach it. When I hear their “yays” (we have a weekly “yay time”), I just know I’m doing the exact right thing, even if I can’t explain it to my in-laws. 🙂

Has there been any trial and error with your own business? What methods did you attempt that fell flat or didn’t work out the way you thought they would?

Everything! I am constantly trying and error-ing! I don’t know that any method or tool has fallen flat all on its own, it’s always a combination of implementation, audience and timing. Usually, things don’t work as quickly as I think they will. If I give up on something after a few weeks, I don’t see any results (this includes everything from a new product to a new marketing channel to a new supplier). Giving something time, and then course correcting in little ways, can make just about anything work. The question is: Do I want it to work? Do I enjoy it? Is it worth the error time? For some things, yes! But for the things that are meh, I try to non-guiltily let them go.

Was it empowering leaving your former job? Describe how you felt in cubicle land and the decision-making process you went through to take that step to leave it behind.

Yes, it’s so very empowering to work for myself. The actual leaving-of-my-job was much more conflicted. I was miserable at my job, and I had been working on my yarn company for three years with the express intent of working for myself. So when the time came, it was as scary as trusting that your biggest dream really can come true.

But how it actually happened is more boring than all that. I set a goal for what I’d need to earn on a regular basis (super specifically, how much each week for how many weeks?), the number of wholesale accounts, and the amount of bills I’d pay off. And then my employer was going to lay off a big percentage of the workforce and offered a buyout. I had reached all my goals, so I applied for the buyout (instead of losing my job!) and… that was that. I was thrilled, but terrified.

Unfortunately, you dealt with a negative response from your coworkers when you announced you’d be leaving. Why do you suspect they wouldn’t talk to you? Were they jealous?

I think that they took my leaving personally, as if it reflected on the value of their own jobs. My bosses were completely sweet and kind, but it was all the other women who had my same title (basically: secretary) [who] seemed to believe that if I wanted something different (and better for me), they should too. I never was suited for office life (and black slacks every day), so I was surprised that they took it so hard.

What basics do your book and classes outline to ensure stamina and growth for fledgling business owners?

There are a few basic principles underlining everything I do:

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  1. I write, talk and teach about discovering the wonders in your business. I’m not interested in finding the “right” way – only the way that’s right for you, your goals and your people. Your biz, no matter how new or old, is an entire world, filled with a culture, a people (your buyers), and adventures. Although there are some business basics that we all use, you get to use it in your own way, to build your own kind of business, exactly as you want it. Exploring your business means doing experiments to see what will work (and what won’t). There aren’t easy answers, only exciting adventures. (So everything, from the book to the classes is FILLED with apply-it-to-yourself worksheets.)
  2. One-size-fits-all doesn’t fit anyone. Experimentation is key. The business you want is different from the business I want. And that means that we each have to find our own way. Business takes time, and you’re not going to get everything right the first time (or you won’t know if you will right away, it takes time!). So you’ve got to be willing to try again and again. The Starship and classes provide support for this experimentation (along with ideas for other things to try, and ways to measure if it worked or not).
  3. Finding your own way can be lonely, so we do it together. Gentle accountability and realistic goal-setting (followed by do-able to-dos) are in every class, and a weekly part of the Starship.
  4. Comparison sucks. Compassion (especially for yourself) rules. Looking at what someone else has and trying to recreate it only leads to unhappiness, and it blocks you from seeing the amazingness that you really want, and the biz you can build. This is a hard thing to remember, so we talk about what that feels like, a lot.

Is your work rewarding? What do you love about it?

LOVE LOVE LOVE it! Really! My best days are the ones where I’m connecting – whether through teaching via video, or answering a question via email or meeting someone for a cup of coffee. That said, I’m an introvert, and I need lots and lots of quiet time to think and write and synthesize what I’m learning into something useful. I love that I can get a mix of both (and that I’m responsible for getting both!).

Does it ever become hard to support yourself financially, or have you ever felt like you were running out of steam?

Yes. Honestly, it’s hard every day! There is stuff I don’t want to do (bookkeeping!) and stuff that’s discouraging (just a few months ago my steady income was cut by more than 60%, when a long-time client had a budget crisis and another client finished the project we’d be working on, much earlier than expected). But that’s the risk. And as long as I keep looking forward, and coming up with new ideas, and thinking about what my people need and want, it works out.

To keep from running out of steam, I take WAY more time off than anyone I know! I’m offline (except for Instagram, but that’s just to take my photos!) all weekend, and I take a short day on either Thursday or Friday. And sometimes I take a whole weekday off, just to go out of town and see a friend and her new baby.

But because of my experiments, I know my business is better when I do! Every Monday, and every day after a short day, I just kill my to-do list. I’m inspired to write my best stuff. I’m more helpful and friendly and, well, smart!

How do you envision your own business growing? Could you ever see yourself switching it up entirely down the road?

I dream about switching it up all the time. Sometimes I think I’ll write another book, other times I think I’ll stop talking about business-y help altogether and just make stuff and sell it in a new tiny Etsy shop.

But then I get an email from a Starship captain that just made more last month than ever before… and I know I’m doing the exact right thing for right now.

Have you made a lot of friends and connections through your work?

Absolutely! Everything from co-teachers to collaborators to students and readers. I love ’em all!

Where does your book leave off its readers? Feeling challenged, empowered, a little bit of both?

At the end of the book, you’ll have a clear idea of what you offer (and what’s unique about that), who you’re selling it to, and how to reach them. And you’ll have a marketing plan so you actually do all the long-term connecting and communication involved in building healthy relationships with your people!

What are some books (other than your own, of course) that you would recommend to blossoming business owners?

I always recommend Kari Chapin‘s books. If you don’t know anything about how you’d start selling your handmade goods, check out Handmade Marketplace. And if you’re just starting your store, check out her new book, Grow your Handmade Business. Whereas my book is for the already-selling maker who wants to reach more people, Kari’s books tell you all the technical stuff about setting up your shop for the first time.

I love Boss of You. It’s the book that helped me most when I was transitioning from selling a little to selling a lot – all the inside stuff of the business, the admin and day-to-day stuff.

 

Thanks so much for chatting with me, Tara! You have such an inspiring story. Have any questions for Tara, or didya just like what she had to say? Let her know in the comments!

Filed Under: Interviews, People, The "Lucky" Ones Tagged With: entrepreneurs, Starship, Tara Swiger, The "Lucky" Ones

The “Lucky” Ones – An interview with L.A. theatre guru Joanna Syiek

October 18, 2012 by Cassie

After last night’s birthday celebration, I’m in slight hangover mode. Not from the wine, though there was plenty of that. It was the four pizzas that put me in a coma. Luckily, I’ve got a great interview lined up for today so I can catch up on my sleeps. (I require more rest in my older age, after all.) Meet the lovely, intelligent, theatric Joanna Syiek!

Though she grew up on the East Coast, Joanna Syiek has established deep roots out west. In 2009, she founded the Color and Light Theatre Ensemble, a theatre initiative based in L.A., while simultaneously working toward her degree in Global Studies at UCLA. The self-proclaimed music junkie directs the troupe in performances throughout Southern California and writes for the troupe’s blog. (Editor’s note: Recommended posts here and here.)

Both passionate and wise, Joanna believe in the power of performance and the beauty of life’s idiosyncrasies. Some of Joanna’s other interest include yoga, rollercoasters, and Indian food. The next thrill-seeking adventure on her list? Skydiving.

Welcome, Joanna!

I’m immediately intrigued by anyone who grew up on one coast and moved to another. What’s the story behind your big move?

I spent most of my childhood in Massachusetts, so I have some pretty hardcore nostalgia around this time of year when the East Coast starts getting its seasons. My family and I moved when I was in my pre-teens to sunny California because my father was starting a new business opportunity out on the West Coast. I remember being thrilled with the idea of a big change and spending my first few months marveling over the fact that I could go swimming outside in November without freezing to death. Nowadays, my tolerance for weather has diminished, sadly, and I have trouble braving the cold like I once could. But turns out that SoCal is fantastic, so I’m happy I have both extremes under my belt now.

What led you to found Color and Light Theatre Ensemble? Who did you collaborate with to make it a reality?

Theatre had always been a big part of my life growing up, so it seemed like a natural extension of my interests to found a group with which we could produce shows that illuminated something unspoken about daily life. I enjoy the escape of theatre, yes; but I think what I find most interesting about the medium is that it holds up a mirror to who we are and wish to be. It allows you to sink below the surface of the everyday and ask the questions that many of us get too busy to ask. Theatre wills us to be patient, to be engaged, to explore. A few of my best friends share a similar love of theatre-making, and it was with them that we set off on the first season of shows back in 2009.

 The L.A. theatre scene must be filled to the brim with talent. What’s it like? Competitive, opportunities abound, nurturing?

You’re absolutely right about Los Angeles being a talent hub. And it has such a rich network of theatres big and small doing wonderful work. I think the scene here is, like most things in life, what you make of it.

If you want to view it as a difficult, competitive place to make art, you can. Or you can recognize that there is literally a theatre every mile or so offering opportunity after opportunity to create, take part in, or witness a good show. That said, it requires hard work to make theatre in L.A.

 What kind of productions does C&L put on, and in what sort of venues?

Yes, we have done shows in and around the Los Angeles area (in a fashion that would make commedia troupes of olden days proud). As for the type of productions, we have done mostly musicals or musical plays. My training was in the musical realm so I am drawn to these types of pieces, but future productions may include a spread of things. We tend to do shows that challenge the audience a bit, whether by asking them to consider the ways in which they live their lives or by confronting them with the alternative theatre devices of the piece. The spaces we perform in are typically in black box theatres or smaller theatres, but we also did one show in a converted space (mainly because I love the challenge of non-traditional spaces).

 Who makes up your ensemble, and what do their lives outside of it tend to look like? Is it a tight-knit group?

The group is a mix of full-time creatives, freelance artists, and those that are striking a balance between “real” work and “play.” Some have jobs in the vibrant film industry; others string together fascinating jobs in favor of a less-traditional work day. And yes, the group is a close one. Many of us meet up for adventures or trivia nights when not in the midst of a show.

 What does L.A. offer a troupe like yours that other cities just don’t?

Free dessert with the purchase of one entrée. I kid.

It offers a great web of theatres and alternative spaces that make for intriguing performance spaces. I’ve seen groups turn bars, churches, seaside villas, and outdoor areas into theatres as appealing as any. It also boasts a hyper-connected, supportive audience base interested in the Los Angeles theatre scene. It has a fast paced vibe with a little something for everyone.

 Do you hope to combine your passions of theatre and international affairs? Or, do you ever consider focusing on a career related to your Global Studies degree?

What an excellent question. I’ve been lucky in that many of the jobs I’ve had over the years had an international component to them giving me the opportunity to put the degree to work. And the dream job looks a little something like living in Europe and bringing international fare to the stages there. I hope to eventually incorporate some foreign fare into the C&L schedule (there are a number of French musicals I’ve fallen in love with and would love to see staged in the U.S.).

 Are there any challenges of running and managing a theatre ensemble (whether they’re logistical or emotional)?

Of course. Whether it’s timing of productions, finding venues, working out contracts, finding time to sleep – challenges pop up here and there. But I think the pH test for being able to tell if you really love something is if you still think every single one of them is worth it. And to me, they have been.

 Do you ever worry about things like funding in a market that is likely very dense where you are?

Again, good question. It is hard when you see many theatres struggling and I do think the arts deserve a lot more funding than they receive in the U.S. But I have always been of the mindset that more money does not always translate into better art. The work we do is nimble and we try not to outstretch our means so we do not force ourselves into the position of worrying about the money factor.

 Personally, what is your favorite aspect of drama and live performance?

The fact that you become part of the piece. Some in Los Angeles bemoan the ephemeral quality of theatre (“blink and you miss it” vs. the “staying power” of film), but I think that is exactly what makes it so exciting. The show is never the same twice and the audience plays a role in the theatre. It is also exhilarating when a live performance transforms an actor into something entirely different merely using stagecraft. The choice makes you think and transports you using just a group of people playing their roles. No CGI, no cleaning things up later—just sweeping action in that moment.

Do you act/perform in your troupe’s performances, or do you work primarily behind the scenes?

Not really. I do a bit of it with other theatre groups in Los Angeles but not with my own. I focus mainly on directing with C&L and that has always been plenty!

 Are there any books you would recommend to anyone who wants to dedicate their life to theatre or acting?

Oh, I fell in love with Kazan on Directing, a holiday gift from this past year that I slowly savored. Finishing the Hat offers wonderful insight into Sondheim’s mind and Peter Brook’s The Empty Space presents a fascinating picture of the state of the theatre world and the kind of productions we should aim to create.

Thanks so much for chatting with me, Joanna! I’d love to catch a show when I make my own move out west. Have a question for Joanna, or just appreciate her spunk? Let her know in the comments!

Filed Under: Interviews, People, The "Lucky" Ones Tagged With: Color and Light Theatre Ensemble, Joanna Syiek, The "Lucky" Ones

The “Lucky” Ones – An interview with world-traveling yoga teacher Katee Lue

September 6, 2012 by Cassie

What do you do when you unknowingly give your new blog series a name very similar to a romance-novel-turned-movie-starring-(gag)-Zac-Efron? Honestly claim ignorance to the book’s existence (until now) and calmly point out the quotation marks around “lucky,” along with the plurality of “one.” Surely Nicholas Sparks would be cool about the whole thing. (After all, I truly think The Notebook was a good… um, movie. Haven’t gotten around to the book yet.)

And anyway, I like the name, and I’m VERY excited to bring you the second installment of The “Lucky” Ones series. (New to WTH? Figure out what I’m talking about here.) This week’s interview features Katee Lue—yoga teacher, world traveler, and all-around awesome woman.

Who is she? A little background: Upon graduating from college (with a volleyball scholarship and a degree in Mass Communication), Katee Lue knew right away she wanted to travel. It was around then that she discovered her love for yoga, as well. So she pursued and completed yoga teacher training (and taught actor Woody Harrelson along the way!), then traveled to Cape Town, South Africa in late 2011 to work with tourism company Cape Adventure Zone. There, Katee embarked on a path of exploration and self-discovery snorkeling, hiking, and even shark cage diving—all the while making lifelong friends with locals and fellow travelers.

She now lives in Yellowknife, NWT in Canada, where there is approximately one person per 30 square kilometers. And she loves it.

Another fun fact? Katee and I graduated from the same college (Towson University) and had one class with each other, yet this interview is the most we’ve ever talked. I’m only sorry I didn’t get to know her sooner! Finally, here’s Katee Lue:

How has teaching yoga brought you closer to others? What special relationships or bonds have you developed as a result?

Teaching yoga has brought me closer with others because it is a practice in which we open up to things we didn’t know about ourselves, and break down barriers to come to new awakenings. To grow on a level this deep is truly sacred and forms sacred bonds. In addition, yoga is a never-ending practice. Even for me as a teacher, there is still SO much to learn and so many poses to advance. They say it takes 30 years to become a master. The true bond that is formed through yoga, whether practicing or teaching, is the realization that we are all students of life for as long as we live. Yoga helps us to learn more about ourselves intrinsically, and as a result, we start to understand our place in the world a little better. Yoga brings us to the realization that there is still so much to learn in life. This awareness humbles us and brings us together to celebrate life and bond over self-growth.

Can you expand upon how your relationship with yourself—both mind and body—has changed since you began practicing?

My relationship with myself is constantly evolving. I practice spending time every day to nurture the union of my mind, body and soul. This is done through yoga, but also through reflection and quiet meditation. I’ve learned that my body is a temple of the soul and I am most happy when I get a good, sweaty workout and eat well. I have learned that my mind is most effective when I practice mastering it through meditation and focus. I’ve also learned that these things need to be practiced every day to truly have an effect, and it is not until I do them that I realize what a huge, positive difference they make in my life.

What have you learned spiritually? Do you need to be a spiritual person to reap the benefits of practicing yoga?

Great question. Spiritually, the most important thing that I have learned, is that life is not so serious. At the end of the day, this life that we have is a blessed gift. We need only to find gratitude for it and celebrate it in every moment. I have also learned that the spirit thrives off growth, and growth can only happen when we push the boundaries and enter the unknown. That is what keeps life exciting and the spirit young. I have also learned that our physical and mental ailments are a result of a disconnection with our spirit. Our body is like a messenger for our spirit.

To answer the second part of your question, I believe we are all spiritual people, whether we realize it or not, but I get what you’re saying, and the answer is no. You do not have to be a Monk Sage of Sivanna to reap the benefits of yoga. I started practicing yoga as a form of exercise. I like the feeling of building strength and sweating. Slowly and surely, I found spiritual awakening while becoming physically stronger and mentally sharp. The poses and sequences have been methodically designed over thousands of years to allow us all to practice yoga – which is translated to “the union of the mind, body and soul.”

No one gets to pursue what they love without a little work. What does the process of teacher training involve?

Teacher training was one of the most incredible periods of growth I’ve experienced. It is much less the practice of the physical postures as it is the practice of self-awareness. In teacher training we not only learn the philosophy of yoga, but start to live the yogic lifestyle which incorporates the eight limbs of yoga. The true work that went into teacher training was practice. Practice in healthy and positive thoughts, practice in the asanas (postures), and practice in awareness. It is accessible to everyone.


Describe some of your most memorable and meaningful experiences in your teaching and travels.

When I began teaching in my backyard in South Africa, I invited all the friends I had and anyone else that I met. The class was donation-based, so the excuse of not having enough money was eliminated. People were so creative. They would bring bottles of wine, food that we barbecued after, music. It was the best form of trade and afterwards we all chilled around the fire and cooked food.


Where are some of the most beautiful spots you’ve visited, whether in Africa or elsewhere?

There is truly beauty everywhere. The most stunning place I have been is Cape Town. The balance between table mountain and the ocean not only creates a breath-taking visual delight, it creates a calm energy amongst the people, and unique plant kingdoms. It’s one of life’s hidden gems.

What was it like living in Cape Town? Did you get to know any locals? Was it at all a culture shock?

It was the most amazing experience I’ve ever had. I got to know a lot of locals who have become my family and life-long friends. South-Africans are honest, real, grounded people and they welcome everyone in with open arms and treat you as if you are family. They see the bigger picture in life and remain open to all cultures that visit their land. 

There was a bit of a culture shock. No matter how grounded one is, when they are in a completely new environment and culture they’re forced to learn new things, ultimately about themselves. Cape Town brought many lessons and realizations into my life. I discovered diligence through the strength of the mountain, unique beauty in the plants (Cape Town is home to the Cape Floral Kingdom, which is the most dense of all six kingdoms on earth, containing over 9,000 species). I also developed trust in the world, that even at the tip of the world, thousands of miles away from what I call home, that I could still find family, love and joy. My trip to Cape Town profoundly stripped my ego of all things but love. What makes life fulfilling and worth living is finding joy in every moment, and learning from everyone and everything that we see. Being different than someone or something only gives them potential to be an even more impacting teacher than our last. The lessons are there— are you present to them? When we release the fear about being different and accept our authenticity, life becomes one ginormous, adventurous classroom.

How is it living in such an isolated area now? Do you plan to travel or live elsewhere again in the near or distant future?

Living in an isolated area right now is different than anything I have ever experienced. The amazing thing is that there is actually access to everything. What is even more surprising is that there are even more opportunities to do the things that I have wanted to do here, because of its small size. Everyone knows everyone else, and because the town is so small, businesses and recreational activities accommodate their schedule to the people. It is pretty amazing to see how everything works in harmony here.

I definitely plan to travel more and live elsewhere in the future. I am aiming for after Christmas. I miss the beach, so we will see where that longing takes me… :)

What are some common misconceptions about yoga? Can you dispel those?

The most beautiful thing about yoga is that it doesn’t matter what level you are at. People often think that because they are not flexible they are not good at yoga. Untrue. Yoga is just the ability to look inside and truly become aware of our body and our thoughts. I have studied yoga because I want to share that gift with others, so they too have the tools to create peace in their lives.

Doing what you do now seems like a left turn from what you studied in school. Are you glad you went to college? Do you have any desire to pursue a more “traditional” career path as so many (either willingly or unwillingly) get sucked into? Why or why not?

I am very happy that I went to school. Some of my best memories are from University. It was an immense growing period in my life. I would definitely consider a more traditional career path. It is fun to work with young, motivated people. I studied advertising and marketing which are two things that I love. It is such a great creative outlet, and I love working on projects. Again, life is full of choices. I think later on down the road if I am seeking more of a challenge, I may pursue a different career path. Right now yoga is what I love, and I can incorporate everything I love into it.


On that same note, many recent college grads are either struggling to find work or are settling for an industry they’re not passionate about. What would you tell someone in that position who would rather be doing what you’re doing?

I would tell them that the only limits in their life are those they place on themselves. Working, no matter where it is, is a great experience. Making money is rewarding and exciting. If someone wants to teach yoga, they can. It is a matter of being proactive about it. Teaching yoga really means to live the yogic lifestyle. By this I mean that they practice releasing attachments and desires and are gaining the lessons in all circumstances. In this case, they are always a student and always a teacher.

There are plenty of opportunities to teach, whether it be at lunch time, after work, on the weekends, in studios, gyms, schools, parks… anywhere! That’s the beauty of yoga. As teachers we are able to be creative in the ways that we give. People are not going to walk up to us and beg for yoga, but if we create a space or a time when they can access it, they will come. If someone wanted to teach full-time then I would encourage them to do it. The universe always supports us, and the biggest lessons come from taking chances. Be honest with yourself and hold enough space of love in your life that allows you to pursue your passion while fulfilling all basic needs. The transition can be seamless.

What books would you recommend to any kindred spirits looking for ways to seriously incorporate travel, yoga, or a greater sense of spirituality in their lives?

There are a few books that I have read that have influenced the way I live today. Some include: The Four Agreements, Way of the Peaceful Warrior, Gandhi – His Life and Message for the World, Journey Into Power, and Autobiography of a Yogi.

Thanks so much for sharing your story, Katee. You are one seriously inspiring lady, and we could all learn something from you. Have questions for Katee? Comments? Leave them here!

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Filed Under: The "Lucky" Ones Tagged With: The "Lucky" Ones

The “Lucky” Ones – An interview with YA fiction author Suzanne Supplee

August 23, 2012 by Cassie

The day has come! It’s finally time to kick off The “Lucky” Ones interview series featuring creative types who are both passionate and bold. Confused? Start here. Otherwise, let’s waste no time introducing the first interviewee, author Suzanne Supplee.

Who is she? A little background: Suzanne is the author of three young adult fiction novels—Somebody Everybody Listens To, Artichoke’s Heart, and When Irish Guys Are Smiling. Born in the small town of Columbia, Tennessee, she grew up with a love for writing that eventually manifested itself into landing a book deal with Penguin and getting a blurb from Dolly Parton—but not without a few heartbreaks and setbacks along the way. Before Suzanne became a published author, rejection letters provided plenty of frustration, and several manuscripts ended up permanently in her desk drawer.

 In true hard-working Capricorn fashion, however, Suzanne determinedly continued to write, and her 4:30 a.m. daily writing sessions finally paid off in the form of her author status. Her novels, geared toward teen and pre-teen girls, are both humorous and heartfelt. Her protagonists make you want to be their friend. It makes sense, then, that Suzanne is also a high school Creative Writing teacher—her heart is young.

One last thing: Suzanne is also the mother of three—Flannery, Elsbeth, and me. Yup, this author is my mama, and I got over calling her by her first name for the sake of a good bio. Without further ado, my interview with Suzanne Supplee!


When did you first realize that you wanted to write? How did you come to that realization?

I think I always wanted to write.  Or at the very least, I wanted to be heard.  Anne Lamott, one of my favorite writers, says people write because they were not heard as children, and I think this applied to me then.  I think it still applies to me now at times.  Just the way some people are better in person, I am better in writing.


Who are your favorite authors, both current and classic?

I have a brand new favorite.  Recently, I read Brooklyn by Colm Toibin.  It’s simple and quiet and brilliant.  Just the sort of novel I love.  Of course, my all-time favorite is Flannery O’Connor, and I love Rick Bragg’s essays in Southern Living.  John Irving, Thomas Hardy, Emily Dickinson, Barbara Kingsolver are all fantastic.  I always hate this question because there are too many to name.  Fannie Flagg!  She’s like an old friend, though I’ve never met her.  Ayn Rand and Joan Didion and Anne Tyler and John Updike.  John Updike!  I’m just sick that he’s dead.  And Joyce Carol Oates and Sherman Alexie and Garth Stein.  Sobbed when I read [Stein’s] The Art of Racing in the Rain. This question is exhausting me, so I’ll stop now.

No, wait!  Tessa Hadley and Hemingway and Steinbeck and Rebecca Wells and Elizabeth Strout.


What is it like writing a novel, sending it off, and receiving pages of edits and notes from your editor? Is it ever discouraging or overwhelming? How do you handle it?

It’s like giving birth then putting the infant, along with the placenta, in a Fed Ex box and mailing it to New York.


What motivates you to keep working on your craft during the days when it’s hard to keep going?

I love my characters and I love my setting.  If I don’t love my main character and my setting, I won’t keep writing.  If I didn’t love my family and my house, I wouldn’t come home.  Whatever you’re working on should feel like a good home, a place you want to return to again and again, even if things aren’t always running smoothly there.


What is your view on “writer’s block”?

Go wash your mouth out with soap, young lady.


What is something most people don’t know about writing and publishing young adult fiction?

It’s just as challenging and significant as writing for adults.  Are children any less important than teens?  Are babies less important than toddlers?  No.  The notion that young adult books are somehow inferior to adult books is ridiculous.


You’re also a high school fiction teacher. (Did you know that?!) I’ve told you many times I’d like to be your student. For some reason, though, you never give me any homework. Anyway, how do you inspire your students? How do they inspire you?

I make them work hard.  Most people don’t realize this, but high school students really do like to work hard, and they want to be challenged.  I just treat them like real writers because that’s what they are.  I share with them whatever it is I’m struggling with as a writer.  I try to be kind.  And, truthfully, I’m just as passionate about their work as I am about my own.  I suppose this is what it’s like to be an agent or an editor.


Have you ever faced the fear of failure? How do you deal with it?

I faced it five minutes ago.  I face it every second.  I believe that people who are too confident and sure of themselves are full of shit, phonies.  But like Dory says in Nemo, “just keep swimming.”  Just keep swimming


What is the craziest/weirdest/coolest form of inspiration you’ve had?

Years ago I went to Ireland by myself.  It was the trip of a lifetime.  I remember driving to Galway and stopping at this castle along the way.  I thought to myself, I want to write about this place.  I want to set a book here.  You know what’s crazy?  Some thirteen years later, I did just that.


What is the most rewarding part about writing books? Is it seeing the finished product, or something else?

It’s the work itself.  It’s the feeling you have after a good writing session, the same feeling you get when you’re reading a great book and you don’t want to put it down.  It’s sitting at your desk and typing as fast as you can because you don’t want to lose the idea.  It’s having the characters literally tug you out of bed, sometimes at four in the morning, and you go with them willingly because you like them so much.  It’s making yourself laugh or cry with a scene, maybe both.  It’s finishing a first draft and putting it away for a while then missing it like crazy.  It’s staring at someone you don’t know because they remind you of a character from your novel.  It’s going to a party and wishing you were at your desk writing.


What is it like writing for young girls? What’s your favorite part about meeting your readers?

They’re so young!  I honestly forget that.  I write from the adolescent place inside my own head, and this part of me always felt so grown up, even when I wasn’t.


What can you tell us about your next project?

It’s for boys.  Or, I should say the protagonist is a boy.  Obviously, girls can read it, too.  And there’s another book under contract with Penguin which I won’t talk about just yet.


Recommend a book (or several books!) for writers and aspiring writers.

A Moveable Feast by Ernest Hemingway
Bird by Bird by Anne Lamott
On Writing by Stephen King

 

Thanks, momma (er, Suzanne) for being my very first interview subject. It’s no wonder I want to write my own novel some day. Check out her website or her Facebook page and say hi! Comments and questions here, of course, are welcome and encouraged.

Passionate? Creative? Interested in being interviewed for The “Lucky” Ones series? . 

 

Filed Under: Interviews, People, The "Lucky" Ones Tagged With: artichoke's heart, Somebody Everybody Listens To, Suzanne Supplee, The "Lucky" Ones

One lucky girl

August 20, 2012 by Cassie

After some coercing, begging, and harassing, Witty Title Here finally made it to 100 likes on Facebook! I am both grateful and totally okay with the fact that many of you liked my page simply so I would leave you alone. I have no shame. It’s cool. (And thank you.)

Of course, there was a reason for my incessant badgering other than my desire for a three-digit number of people to whom I could broadcast my Facebook-y thoughts. I’ve been not-so-patiently waiting to announce a new series that will feature some very cool people, and now that I have the love of 100+ social media minions, it officially kicks off this week! Get ready for The “Lucky” Ones interview series, a biweekly event starting this Thursday.

What is The “Lucky” Ones? And why the quotation marks? Allow me to explain.

The “Lucky” Ones interview series features words from creative people of all types who are lucky enough to be doing something they love. Whether world travelers, painters, music teachers, or entrepreneurs, these people all have one thing in common—hard work. Which is why it actually has very little to do with luck. But alas, people who love what they do tend to be perceived as blessed. These interviews will shed light on what really goes into making each of these people tick, as well as reveal the story behind each unique individual.

And I am friggen excited.

When I first got the idea for this series, I was hopeful, but didn’t know where to start. It didn’t take long for my mind to wander off to Facebook. Scrolling through my friend list, I realized there were dozens of potential interviewees right there with no degree of separation who seemed to lead pretty interesting lives. I also realized that, despite my relatively small number of Facebook friends, I don’t really know most of them. It was a little intimidating sending off my first couple of queries to people I’d only met a couple of times. But the responses I’ve gotten so far couldn’t have been more welcoming or enthusiastic. Already, I’ve gotten to know people better in just a couple of emails than I did actually meeting them, and I’m only sorry I didn’t reach out sooner.

And friends, be warned. I have several of you on my radar for upcoming Q&A sessions. Just because you “liked” my page doesn’t mean I’m done with you. I’m also especially interested in people I don’t know. Does The “Lucky” Ones sound like something you’d be perfect for? If you’re hard-working and passionate about something—anything—I’m already into it. Please don’t be bashful, folks. . Let’s chat.

I hope you’re looking forward to this as much as I am, because you’re about to meet some special people. I’ll be kicking off the series this Thursday with someone I do know, and pretty darn well. But I’ll maintain the suspense just a little longer while I celebrate the fact that I’m finally treating this blog like something I’m passionate about, and not just an obligation. Pretty cool.

Filed Under: The "Lucky" Ones Tagged With: friends, interview series, The "Lucky" Ones
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